A poem for the word-nerds...

Just before the end of 2011, I determined that I needed more exposure to contemporary poetry and to poetry, in general, for that matter. I realized that my experience was limited to anthologies and the kind of work that teachers use in classrooms. Not that there is anything wrong with that except maybe my desire to better acquaint myself with the contemporary poetry environment. And so I decided to subscribe to a poetry journal and actually THE poetry journal by The Poetry Foundation. This is a new adventure for me. And while I still consider myself a poetry amateur, this is good learning ground.

So right from the very beginning I was introduced to a poet by the name of Stephen Dunn. I did a little (very little) research to find that he was born in NY in 1939 (same year as my mom) and attended Hofstra, where he got his B.A. and then Syracuse Universuty for his Master's. His book entitled Different Hours won him the 2001 Pulitzer Prize for poetry.

Without further adieu I give you the very first poem I read of his (and consequently fell in love with) titled, In Love, His Grammar Grew.

Please note: It is not my intention to benefit monetarily by sharing this poem and I, in no way am wanting to infringe on copyright laws of any kind. This is merely a sharing of the good word. (I'm just not sure how that all works with living poets and so I am a little nervous... however since all three of you that read this blog have probably already been acquainted with the works of Stephen Dunn, I shouldn't be at all worried.)

In Love, His Grammar Grew

In love, his grammar grew

rich with intensifiers, and adverbs fell

madly from the sky like pheasants

for the peasantry, and he, as sated

as they were, lolled under shade trees

until roused by moonlight

and the beautiful fraternal twins

and and but. Oh that was when

he knew he couldn’t resist

a conjunction of any kind.

One said accumulate, the other

was a doubter who loved the wind

and the mind that cleans up after it.

For love

he wanted to break all the rules,

light a candle behind a sentence

named Sheila, always running on

and wishing to be stopped

by the hard button of a period.

Sometimes, in desperation, he’d look

toward a mannequin or a window dresser

with a penchant for parsing.

But mostly he wanted you, Sheila,

and the adjectives that could precede

and change you: bluesy, fly-by-night,

queen of all that is and might be.

Source: Poetry (January 2012).

I saw the best minds of my generation destroyed by madness

Allen Ginsberg. One of the founding fathers of beat poetry of the 50's. Wrote it the way he saw it. Openly homosexual at a time when people were lynched for their most personal preferences. Saw mental illness up close and personal. Wanted more for and from our country. Spoke his mind and inspired many to live in their skin. "Howl" is the poem that we get the title line from. But today I want to share my favorite Ginsberg.

And I would LOVE to know what you think! Comment.

A Supermarket in California

What thoughts I have of you tonight, Walt Whitman, for I walked down the
streets under the trees with a headache self-conscious looking at the full moon.

In my hungry fatigue, and shopping for images, I went into the neon fruit
supermarket, dreaming of your enumerations!
What peaches and what penumbras! Whole families shopping at night! Aisles
full of husbands! Wives in the avocados, babies in the tomatoes! --- and you,
Garcia Lorca, what were you doing down by the watermelons?
I saw you, Walt Whitman, childless, lonely old grubber, poking among the
meats in the refrigerator and eyeing the grocery boys.
I heard you asking questions of each: Who killed the pork chops? What price
bananas? Are you my Angel?
I wandered in and out of the brilliant stacks of cans following you, and
followed in my imagination by the store detective.
We strode down the open corridors together in our solitary fancy tasting
artichokes, possessing every frozen delicacy, and never passing the cashier.
Where are we going, Walt Whitman? The doors close in an hour. Which way does
your beard point tonight?
(I touch your book and dream of our odyssey in the supermarket and feel
absurd.)
Will we walk all night through solitary streets? The trees add shade to
shade, lights out in the houses, we'll both be lonely.
Will we stroll dreaming of the lost America of love past blue automobiles in
driveways, home to our silent cottage?
Ah, dear father, graybeard, lonely old courage-teacher, what America did you
have when Charon quit poling his ferry and you got out on a smoking bank and
stood watching the boat disappear on the black waters of Lethe?

Woooooooorrrrrrdsworth!

I did say once that right after Jesus I really want to meet Wordsworth someday.
(I'm pretty sure I still mean that.)

William Wordsworth, like Coleridge, Blake, Keats and others is one of the Romantics. And not just one of them, but was key in bringing about and defining the movement. Have I mentioned I've got a thing for these guys? They set out to dissemble the previous notions of structure and specifically questioned religion and what part it plays in a world that, as Darwin was just discovering, was subject to natural laws. They had this idea that all you needed to teach a child was this natural world around you. And they put thought, feeling and intuition ahead of the "rules" of society.

Yes, Wordsworth was a rock-star.

Most of Wordsworth's pieces are quite lengthy. I went for two of his shorter pieces today. They both remind me to keep my priorities in check and to stop and smell the roses every now and then.

The world is too much with us

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.--Great God!  I'd rather be
A pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

Composed Upon Westminster Bridge, September 3, 1802

Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!

Edgar Allen Poe. Need I say more?

Because it's Halloween; because it's my annual ritual; because he can still scare the pants off me... I give you Mr. Poe. This poem was first published in 1845. Enjoy.

HAPPY HAUNTING!!!

The Raven

Once upon a midnight dreary, while I pondered weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. `'Tis some visitor,' I muttered, `tapping at my chamber door - Only this, and nothing more.' Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; - vainly I had sought to borrow From my books surcease of sorrow - sorrow for the lost Lenore - For the rare and radiant maiden whom the angels named Lenore - Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me - filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating `'Tis some visitor entreating entrance at my chamber door - Some late visitor entreating entrance at my chamber door; - This it is, and nothing more,' Presently my soul grew stronger; hesitating then no longer, `Sir,' said I, `or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you' - here I opened wide the door; - Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the darkness gave no token, And the only word there spoken was the whispered word, `Lenore!' This I whispered, and an echo murmured back the word, `Lenore!' Merely this and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. `Surely,' said I, `surely that is something at my window lattice; Let me see then, what thereat is, and this mystery explore - Let my heart be still a moment and this mystery explore; - 'Tis the wind and nothing more!' Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore. Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door - Perched upon a bust of Pallas just above my chamber door - Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, `Though thy crest be shorn and shaven, thou,' I said, `art sure no craven. Ghastly grim and ancient raven wandering from the nightly shore - Tell me what thy lordly name is on the Night's Plutonian shore!' Quoth the raven, `Nevermore.' Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning - little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door - Bird or beast above the sculptured bust above his chamber door, With such name as `Nevermore.' But the raven, sitting lonely on the placid bust, spoke only, That one word, as if his soul in that one word he did outpour. Nothing further then he uttered - not a feather then he fluttered - Till I scarcely more than muttered `Other friends have flown before - On the morrow he will leave me, as my hopes have flown before.' Then the bird said, `Nevermore.' Startled at the stillness broken by reply so aptly spoken, `Doubtless,' said I, `what it utters is its only stock and store, Caught from some unhappy master whom unmerciful disaster Followed fast and followed faster till his songs one burden bore - Till the dirges of his hope that melancholy burden bore Of "Never-nevermore."' But the raven still beguiling all my sad soul into smiling, Straight I wheeled a cushioned seat in front of bird and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore - What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking `Nevermore.' This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining On the cushion's velvet lining that the lamp-light gloated o'er, But whose velvet violet lining with the lamp-light gloating o'er, She shall press, ah, nevermore! Then, methought, the air grew denser, perfumed from an unseen censer Swung by Seraphim whose foot-falls tinkled on the tufted floor. `Wretch,' I cried, `thy God hath lent thee - by these angels he has sent thee Respite - respite and nepenthe from thy memories of Lenore! Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!' Quoth the raven, `Nevermore.' `Prophet!' said I, `thing of evil! - prophet still, if bird or devil! - Whether tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted - On this home by horror haunted - tell me truly, I implore - Is there - is there balm in Gilead? - tell me - tell me, I implore!' Quoth the raven, `Nevermore.' `Prophet!' said I, `thing of evil! - prophet still, if bird or devil! By that Heaven that bends above us - by that God we both adore - Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels named Lenore - Clasp a rare and radiant maiden, whom the angels named Lenore?' Quoth the raven, `Nevermore.' `Be that word our sign of parting, bird or fiend!' I shrieked upstarting - `Get thee back into the tempest and the Night's Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken! - quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!' Quoth the raven, `Nevermore.' And the raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted - nevermore!

The Lord and the Lady

I know.

This is a long one.

But the other day when I was writing about some of my first experiences with poetry it reminded me of this little gem. It's anthologized everywhere so I'll be pretty surprised if this is a first time for anyone. But I love this poem and it comes from none other than one of my favorite poets of the romantic period, Lord Alfred Tennyson. I'm a sucker for the romantics. They have this handle on nature and the human experience that stays with me whenever I read one of their works. Since it's a long poem I won't bore you with the details.

This poem is a sort of love story.

I am also including here a recording of the artist Loreena Mckennitt who put these words to music. I am not sure if I love the song because I adore the poem or if I like it because it's just beautiful. You can listen to the song while you read the poem. Either way I hope you enjoy it and like always, let me know what you think.

The Lady of Shalott

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four grey walls, and four grey towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

Only reapers, reaping early,
In among the bearded barley
Hear a song that echoes cheerly
From the river winding clearly;
Down to tower'd Camelot;
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers, " 'Tis the fairy
Lady of Shalott."

There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving through a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot;
There the river eddy whirls,
And there the surly village churls,
And the red cloaks of market girls
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad
Goes by to tower'd Camelot;
And sometimes through the mirror blue
The knights come riding two and two.
She hath no loyal Knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often through the silent nights
A funeral, with plumes and lights
And music, went to Camelot;
Or when the Moon was overhead,
Came two young lovers lately wed.
"I am half sick of shadows," said
The Lady of Shalott.

A bow-shot from her bower-eaves,
He rode between the barley sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armor rung
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, burning bright,
Moves over still Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flashed into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining.
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And around about the prow she wrote
The Lady of Shalott.

And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance --
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right --
The leaves upon her falling light --
Thro' the noises of the night,
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and Burgher, Lord and Dame,
And around the prow they read her name,
The Lady of Shalott.

Who is this? And what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the Knights at Camelot;
But Lancelot mused a little space
He said, "She has a lovely face;
God in his mercy lend her grace,

The Lady of Shalott."

e.e. cummings birthday, happy.

i was just made hip to the fact that today is e.e. cummings birthday! he was born in 1894. happy birthday old friend.

this poem is kind of a lot to take in, but it's my very favorite of his. enjoy!

(and yep, i still think he's hot.)

anyone lived in a pretty how town

anyone lived in a pretty how town (with up so floating many bells down) spring summer autumn winter he sang his didn't he danced his did. Women and men (both little and small) cared for anyone not at all they sowed their isn't they reaped their same sun moon stars rain children guessed (but only a few and down they forgot as up they grew autumn winter spring summer) that noone loved him more by more when by now and tree by leaf she laughed his joy she cried his grief bird by snow and stir by still anyone's any was all to her someones married their everyones laughed their cryings and did their dance (sleep wake hope and then)they said their nevers they slept their dream stars rain sun moon (and only the snow can begin to explain how children are apt to forget to remember with up so floating many bells down) one day anyone died i guess (and noone stooped to kiss his face) busy folk buried them side by side little by little and was by was all by all and deep by deep and more by more they dream their sleep noone and anyone earth by april with by spirit and if by yes. Women and men (both dong and ding) summer autumn winter spring reaped their sowing and went their came sun moon stars rain

Oh Emily, my Emily...

There are some pretty memorable firsts: first bike (yellow schwinn, banana seat with basket), first kiss (Matt Altmyer, behind the garage, I was 5...does that count?) and first Banbury Cross donut (if you don't know what that is then you don't live in Salt Lake and have no idea what you're missing).

Do you also remember the first time a poem or poet affected you? The first time words were more than just a way to get information on a page, but a way to elicit thought, emotion; when you realized the words were more than a series of letters in in some particular order; when the words became paint on a canvas? I remember it well.

It was Emily Dickinson.

It still is.

I remember reading her poem "Much Madness is Divinest Sense" in an English class in high school and feeling like she had written it for me. The more I learned about her the more I felt endeared to her. I found myself reading her poetry every chance I got. I memorized them. She lived a very solitary life and throughout the awkwardness of my youth I felt like I understood her and if she were alive she would understand me, too.

Today I still enjoy reading her work.

While she uses delicate sometimes lightweight imagery, there is weight in her allusions and metaphors. I give you the first poem I read of hers that I have long loved, and in honor of my sister on her birthday I give you One Sister Have I in Our House. Do not fear, there will be more. And if you find yourself feeling something...anything, do share. Leave a comment and let me know how you like Emily.

Much Madness is divinest Sense —

To a discerning Eye —

Much Sense — the starkest Madness —

’Tis the Majority

In this, as All, prevail —

Assent — and you are sane —

Demur — you’re straightway dangerous —

And handled with a Chain —

-First published in 1890 after her death.

One Sister have I in our house,
And one, a hedge away.
There's only one recorded,
But both belong to me.

One came the road that I came --
And wore my last year's gown --
The other, as a bird her nest,
Builded our hearts among.

She did not sing as we did --
It was a different tune --
Herself to her a music
As Bumble bee of June.

Today is far from Childhood --
But up and down the hills
I held her hand the tighter --
Which shortened all the miles --

And still her hum
The years among,
Deceives the Butterfly;
Still in her Eye
The Violets lie
Mouldered this many May.

I spilt the dew --
But took the morn --
I chose this single star
From out the wide night's numbers --
Sue - forevermore!

-written sometime between 1858 and 1861

The latter of the poems is dedicated to my sister Katherine, who is both the sister in our house and the one a hedge away. Happy Birthday my dear, dear friend. I love you.